On Cixous’ portrayal of the animal

To imagine that the bird soars in unworldliness articulates a rejection of human and societal constraint more so than an accurate portrayal of the animal, especially when humanity’s impact on the world, through climate change related mass extinction, transcends the bounds of its own knowledge and touches even undiscovered spaces. W. D. Ross asks, “Is there a point at which we may write the animal body without insisting on consuming it?” Does Cixous’ framework speak truly of the animal, or does she make of it a romantic symbol of an ideal human freedom? Cixous’ analysis suggests that the animal brings the human beyond humanity, yet the beyond of this statement stands firmly in the human perspective. The author of G. H.’s story calls this beyond ‘inferno,’ but Hell too remains a biblical cliché.