On depth

“I seek in the perceived world nuclei of meaning which are in-visible, but which simply are not invisible in the sense of the absolute negation […] but in the sense of the other dimensionality, as depth hollows itself out behind height and breadth, as time hollows itself out behind space”

-Maurice Merleau-Ponty, The Visible and the Invisible

On the musicality of matter and life

“Perhaps the figure of music offers a genuine alternative to both thing and idea, the emergence of rhythm and melody as something more than juxtaposed beats or notes while something less than an explicit thought, as a sense that invade the subject rather than being reducible to an object for it. The rhythm of the heart and the breath indicate the musicality of matter and life from which the mind emerges, and the relation of the lived melody to its virtual score may yet figure the relation between life and mind in an entirely new register, the register of expression rather than of signification. This is a suggestion to which Merleau-Ponty will return in his later writings, but which may already be suggested when he characterizes our relation with nature, in Phenomenology of Perception, as ‘singing the world’”

-Ted Toadvine, Merleau-Ponty’s Philosophy of Nature

On Being a Man

“I am a man. Now you may think I’ve made some kind of silly mistake about gender, or maybe that I’m trying to fool you, because my first name ends in a, and I own three bras, and I’ve been pregnant five times, and other things like that that you might have noticed, little details. But details don’t matter… I predate the invention of women by decades. Well, if you insist on pedantic accuracy, women have been invented several times in widely varying localities, but the inventors just didn’t know how to sell the product. Their distribution techniques were rudimentary and their market research was nil, and so of course the concept just didn’t get off the ground. Even with a genius behind it an invention has to find its market, and it seemed like for a long time the idea of women just didn’t make it to the bottom line. Models like the Austen and the Brontë were too complicated, and people just laughed at the Suffragette, and the Woolf was way too far ahead of its time.”

-Ursula Le Guin, The Wave in the Mind

On epithets

“From a man’s mouth, the epithet ‘female’ sounds like an insult; but he, not ashamed of his animality, it proud to here: ‘He’s a male!’ The term ‘female’ is pejorative not because it roots woman in nature but because it confines her in her sex, and if this sex, even in an innocent animal, seems despicable and an enemy to man, it is obviously because of the disquieting hostility woman triggers in him”

-Simone de Beauvoir, The Second Sex

On Truth

“Woman does not entertain the positive belief that the truth is something other than men claim; she recognizes, rather, that there is not fixed truth. It is not only the changing nature of life that makes her suspicious of the principle of constant identity, nor is it the magic phenomena with which she is surrounded that destroy the notion of causality. It is at the heart of the masculine world itself, it is in herself as belonging to this world that she comes upon the ambiguity if all principle, of all value, of everything that exists.”

-Simone de Beauvoir, The Second Sex